But the whole time I was digging for info on Claybridge I was also looking for anything related to Fi-Sonic; another early Australian amplifier brand that put out at least 2 fuzz effects during the 60s. Unfortunately I found almost nothing...
Monday, July 8, 2024
Fi-Sonic Fuzz Blender, the other Australian Fuzz.
Wednesday, July 3, 2024
Music-Son Distorsion Booster - The Spanish Tone Bender?
And this above example appears to be first in the run. It uses germanium transistors and has a more amp-like build than the other two, which is what I typically see when an amplifier company starts getting into the fx game for the first time.
As I was digging for more info on these I did come across this old Music-Son catalog from 1970 that includes the Distorsion Booster, among other effects. Unfortunately I have yet to find any earlier evidence, but at least we have a good starting point now!
What cane next in evolution of the pedal's design was when Music-Son jumped to a silver hammerite paint and a BC 147 silicon transistor-based fuzz.
Again, I am not sure what this is based on, but the circuit does look a bit different than the earlier unit:
Wednesday, June 26, 2024
EQD, Park Fuzz, and Honey Baby Crying.
Check this out if you haven't seen it yet!
Tuesday, June 18, 2024
Nomad Super Fuzz (rite)?
This was surprising because as of now I don't think any other OEM versions of a germanium Fuzzrite have ever surfaced. And even later silicon versions, like the Guild Foxey Lady and the ZB Custom fuzz aren't considered true OEMs.
Wednesday, June 12, 2024
Emmons Riptone Fuzz
Taking one look at the Emmons Riptone you can probably guess what's going on in there. Yep! this is another FZ-1A copy, birthed out of the mid/late 60s pedal craze that saw every guitar, amplifier, and mom-&-pop shop scrambling to jump on the fuzzy bandwagon.
Sunday, June 2, 2024
History of the Gray DOD 250
This is something I have been breaking my brain researching over the past few years, and decided it was finally time to put all of these facts, theories, guesses, and conjectures out there in the form of a two-part video series.
So here is Part 1! It's really for the true nerds, so get ready...🤓
Tuesday, May 28, 2024
Jansen Fuzzman (NZ)
Within this hidden world is yet another brand that most likely slipped past your radar until today, and that is Jansen; a guitar and amplifier company that was based out of Auckland. And while their main forte was amps, in the mid 60s - early 70s they took a stab at the effects market with two pedals; the Twin Wow-Wow & Volume, and the perfectly named Fuzzman.
A little digging around online revealed that the Jansen Fuzzman went through a few cosmetic, and at least two circuit alterations over its lifetime.
There are the grey and black tooled enclosures, and the two rectangular project box enclosures (that look less like pedals and more like table-top units, à la the Rangemaster).
Friday, April 26, 2024
The Randall FX Line (Late 70s)
Thursday, April 18, 2024
Wait, who invented the Tone Machine ???
The book is actually pretty great; showing tons of old dealer ads, pedals that are still quite rare today, and a whole bunch of interviews with legendary effects builders. And while most of the information is stuff I had heard before, the quote below from Steve Ridinger hit me like a nuclear bomb...
I was involved in the design of our first wah-wah, but we got help from some other people for the rest of our products. The Tone Machine was designed by a classmate of mine from Hollywood High School. His name was Rob, but I don't remember his last name. As far as I know that was the first fuzz unit with a switch-able octave effect. I didn't even know how to spell octave then-that's why it's written "octive" on these boxes.Wait, did Steve Ridinger just say that someone he went to high school with was actually the one responsible for inventing fOXX's greatest pedal? And also that he can't remember the guy's last name?!!!
Well after reading this my curiosity kicked in to overdrive and I immediately found the Hollywood High School yearbook from 1969. I honed in on anyone named Robert, and also Ridinger himself just to make sure I was looking in the right place.
well, the internet came through as it always does. :)
Friday, April 5, 2024
Liverpool Fuzz Tone (fOXX)
Known as the Liverpool Fuzz Tone, from Ridinger Associates, it was a fairly unique circuit for the time that utilized 3 germanium transistors and ran off of 9v. Primitive and raw, it was a hidden gem of American 60's fuzz.
One month later the Liverpool Fuzz was given a similar treatment in the UK publication Beat Instrumental. Although lacking in classic American hyperbole, this small write-up served as the European introduction to one of the most prolific builders of the 1970s.
And finally, a few months later we would get to actually see the Liverpool Fuzz highlighted in a photo ad, seemingly associated with New England distributor Harris-Fandel, showing a small table-top unit with a hardwired output cable and an on/off switch.
And while the late 60s were flooded with unoriginal copies and clones, the Liverpool Fuzz Tone immediately stood out, and still holds a very significance place in the history of guitar effects...
So what's the deal with this thing and why is it so important?
Well for those unaware, this is the first effect built and released by Ridinger Associates, or better known as Steve Ridinger of Danelectro fame, Gorilla Amplifiers, and most importantly fOXX!
The story is that he originally built the first Liverpool Fuzzes in 1966 when he was just 14 yrs old. The lore goes on to say that as a young teenager he didn't have the money to buy a fuzz pedal, nor did he have access to any fuzz schematics, so he came up with a fuzz/drive circuit of his own. These early units were all hand-wired using stripboard. Around 1967 he did a deal with a US distributor and also outsourced the manufacturing to a third party who paired it down to a small black enclosure and incorporated a printed circuit board for a cheaper/faster build.
Ridinger estimates between 500-1,000 were produced in this time (1966-1969). And while that seems like a large number compared to some other pedals we have discussed, the nondescript nature of the blank black enclosure combined with no labeling of any kind, has made it near impossible to track one of these down. And at this point I have only seen 2 in my 20+ years of collecting.
Following the Liverpool Fuzz, Ridinger created and released the Fox Wa Pedal, which would be the first time he would use the "Fox" name, and ultimately lead to him starting the fOXX brand just a year later.
Monday, March 18, 2024
Crawdaddy Magazine Vol. IV No. 14 (1970)
A few months back I posted an article about one of the earliest Big Muff ads I have ever found. It came out of Crawdaddy Magazine, from either March or April of 1970, and features a nice quarter-page photo ad from Electro Harmonix.
And while I have been able to acquire most of the Crawdaddy issues from that year, I am missing one. Volume 4, Issue 14 from October 1970.
Originally the main story was an interview with Ray Davies of the Kinks. But right as they were about to send it off to the presses, Jimi Hendrix tragically died. And so the cover was changed and a small tribute was added.
Interestingly I am looking for this issue not so much because of the Hendrix tribute, but because it contains a couple of ads that I'm desperately trying to track down.
If you happen to have a copy of Crawdaddy vol. IV no. 14 please contact me via Email or Instagram.
Thanks for your help!
-ed
Saturday, March 16, 2024
NO Demos. 📽️
And I wanted it to be just that, deep dives into obscure old pedals. But instead of my poor writing skills, you'll get my much poorer verbal communication skills. 😂
The show is called "NO Demos" and the first two episodes are live now!
>>> Here's a link to the channel. <<<
So I hope you like em, and thanks so much for watching. 🙏
-ed
Wednesday, March 13, 2024
Vintage Guitar Pedal Print Media
For about as long as I have been collecting pedals, I've also been collecting pedal related media; catalogs, ads, books, brochures, warranty cards, magazines, etc.
They were always just cool to look at and experience a small taste of what it was like when these were originally being released.
But it wasn't until this past year when I started writing again that I realized how much I actually relied on this old media to help tell the stories of when and where many of these pedals came from.
The further you go back, the harder it is to determine exact dates with any of this stuff. And even some of the most important fx of all time, like the Big Muff, still have their true release dates shrouded in mystery.
Which is exactly why I began to properly catalog all the media I have lying around; by date, publication, brand, and model. The stories of these pedals have been told and retold thousands of times over the years, and many of them are inaccurate at best, but oftentimes the most repeated pedal lore is a complete fabrication. So having an accurate database of images that show the Big Muff was available to buy in April of 1970, for instance, helps a lot in narrowing down what is true vs. what is not.
Monday, March 11, 2024
Claybridge (pre) Fuzzmaster!
And that was just enough motivation for Chris to buy it and enlist some local friends who could maybe help figure out what this thing was. Well after a couple months of digging, he was pointed in the direction of this article we wrote last year about the elusive Claybridge Fuzzmaster. And a few paragraphs in, it seemed as though they had cracked the case...