A Yellow Big Muff ???

☟

So last week a new (to me) and mysterious pedal popped up on Instagram. Supposedly it's a Chilean-made Big Muff copy. But other than that, we got nothing! 

The Big Muff Super Distortion seems to be from the late 70s/early 80s, and possibly an op-amp copy? It's a bit hard to tell from the back of the board, but that's my best guess! 

I don't know, what do you think? Leave a comment if you have a better idea of what circuit this could be, or when you think it was released.

I remember the first time I had seen a Sekova Big Muff, and it instantly became the ONE I had to find... And for how rare those are, finding one of these feels like it's going to be near impossible.

So now I have a new quest! And after really digging into the vintage pedal scene of South America last year, I'm realizing that it's truly the last frontier...

At some point in the future a trip needs to happen. Soooooooooo, who's with me!!! Let's find some magical Muffs and equator-rusted Tone Benders.

And as I always seem to end these types of posts, if you have any additional info on the Big Muff Super Distortion, or happen to own one yourself, please message me via Email or Instagram.

Thanks for reading!

-ed

BM Fuzz-Feedback 104 - A Deep Dive (sort of)

☟

I just uploaded a new video on the ultra rare BM Fuzz-Feedback 104 to the NO Demos YouTube playlist! And unlike the last few videos, I'm going into this one almost completely blind. So hopefully we can use the power of moving pictures to get the word out on this unicorn, and solve the mystery together about its origin...

Thanks for watching!
-ed

Fi-Sonic Fuzz Blender, the other Australian Fuzz.

☟

Last year I went on a bit of an odyssey to research one of the earliest fuzz pedals out of Australia, the Claybridge Fuzzmaster. I lucked out heavily because it was well advertised in old Aussie electronics and Rock magazines, so piecing together the majority of the story was relatively easy.

But the whole time I was digging for info on Claybridge I was also looking for anything related to Fi-Sonic; another early Australian amplifier brand that put out at least 2 fuzz effects during the 60s. Unfortunately I found almost nothing...

For me at least, the first introduction I had to the Fi-Sonic Fuzz Blender (MK IV) was the above example currently owned by Analogman, Mike Piera.

And luckily, after reaching out to Analog Mike, he was very generous in sending a gut shot! *see below When we look inside we see a two transistor, BC 108 silicon fuzz. And depending on when this was released, it was most likely inspired by the Vox Distortion Booster plugin, or a silicon Fuzz Face. 

From what I understand it's not an exact copy, but clearly an adaptation of those circuits. And for dating purposes, the Vox was released in 1966 and the silicon Fuzz Face came about in 1968.

For now, it's the only one I've ever seen. And other than the pedal itself, there's sadly not much else to go off of. FXDB has a quick little blurb on the brand, stating that it was started in 1959 and run by Philip Dreoni, but only lasted until around 1969.

There are a good number of examples of the Fi-Sonic amplifiers online, and I was able to find at least 1 ad showing an Australian electronics company STA Electronics, who I assume were similar to LRE here in States, and what appears to be a Fi-Sonic hifi radio tuner. But also in that same ad (from Oct. 1968) were a handful of guitar effects, including "Fuzz Boxes".

Now obviously there's no way to really know if this is an ad for the Fi-Sonic Fuzz Blender, but so far it's the closest I've been able to get.

I have a vacation coming up next week, so digging back through all of these old magazines will be the perfect bored-at-my-hotel activity. Maybe something else will pop up as a result!

So in addition to the possible magazine ad, the only other hard evidence we have is this; the Fuzz Blender, but looking a bit different.

It's an amp-top unit, with an enormous handle (just in case?), and has controls for "Gain" and "Fuzz". Something else to note is that it simply says "Fuzz Blender" on it, and is absent any version designation. Which makes me think this is possibly v1.

When we look inside, the biggest surprise is that it's completely different from the MKIV Fuzz Blender! What's not a huge surprise is what the circuit actually is... basically a Maestro FZ-1, but with 9v power instead of 3v. There are a few additional value changes, but otherwise it appears to be an FZ-1. 

Something else that's interesting is an original owner claims to have purchased one new in 1965!  But at this point I take those dates with a grain of salt, because people tend to say they did things a year earlier and at least a year longer than they actually did.

But either way 1966 would make this just as early as the Claybridge Fuzzmaster! Which is pretty cool for Australia at the time, who basically had zero access to American gear to buy or even properly copy.

*Update! So over the past couple of weeks I have been going through old newspaper archives and came across two ads I had never seen before that ran in various Australian publications from 1965 - 1967. That's right! The earliest mention I found of a Fi-Sonic Fuzz is now September (top) and December (bottom) of 1965! I can only assume it is the amp-top unit you see above, but again there is no way to be 100% certain:

What is still unknown is at what point the Fuzz Blender MKIV was introduced, and if there was a MKII and MKIII? As we saw with the Claybridge Fuzzmaster, at one time we were only aware of the MKIV, but then a green version was found, then the Wildcat, and finally the "prototype" I found last year that appears to be a MKI or MKII. 

So it is very possible that we have yet to see the other versions of this rare bird, and that like the Claybridge pedals, they are all sitting in a box somewhere in someone's closet, just waiting to be discovered.

If you happen to have any additional info on the Fi-Sonic Fuzz Blender, or own one, I would love to hear from you! Please message me via Email or Instagram.

thanks for reading!

-ed

Music-Son Distorsion Booster - The Spanish Tone Bender?

☟

So the years are not fully known, but some time between the late 60s and mid 70s, the Spanish amplifier brand Music-Son released a fuzz pedal in a Tone Bender MKII-style enclosure, that they called the Distorsion Booster.

*from the handful of examples I've been able to find. This gold one appears to be the earliest...

As of now I have been able to find 3 different circuit layouts and a handful of examples that seem to show a bit of an evolution throughout its life; suggesting that they were made for a considerable amount of time, and not just a one-off.

And this above example appears to be first in the run. It uses germanium transistors and has a more amp-like build than the other two, which is what I typically see when an amplifier company starts getting into the fx game for the first time.

As I was digging for more info on these I did come across this old Music-Son catalog from 1970 that includes the Distorsion Booster, among other effects. Unfortunately I have yet to find any earlier evidence, but at least we have a good starting point now!

What cane next in evolution of the pedal's design was when Music-Son jumped to a silver hammerite paint and a BC 147 silicon transistor-based fuzz.

Again, I am not sure what this is based on, but the circuit does look a bit different than the earlier unit:

The final version shows an evolution of the board, the circuit, the ouput jack, and possibly the enclosure itself (but it's hard to tell just from the available photos). 

This was definitely the most extreme change I have come across; and as of now there are at least 3 examples of just this version. So it's also the most prevalent (so far, at least).

The other thing to notice about this version is both the wires used and the components match those used in Music-Son's other fuzz pedal, the Distorsion Sustain; a super nasty Fender Blender copy that's extra splatty, and looks doomy as hell...

So even if it's a different circuit, at least going by the build similarities I assume they were either being made at the same time, or very close to each other.

Alright, now comes the part where I ask for more info, if any of you out there happen to know anything about the Music-Son Distorsion Booster or the brand itself; please reach out to me via Email or Instagram.

thanks for reading!

-ed

EQD, Park Fuzz, and Honey Baby Crying.

☟

Another awesome video from Earth Quaker Devices showing off two classic vintage fuzzes; the 3-knob Park Fuzz Sound and the legendary Honey Baby Crying Fuzz, with 2 of the most knowledgeable fuzz connoisseurs from Japan, Taka Tozawa and Yuichiro Hosokawa.

Check this out if you haven't seen it yet!

Thanks for watching!

-ed

Nomad Super Fuzz (rite)?

☟

Back around 2011 I came across a post on an old guitar effects forum that had a photo of a random grouping of vintage fuzz pedals. Last year I made a post about one of these, the insanely rare v1 bakelite version of the Seamoon Fresh Fuzz (check it out here). But another, even more rare pedal stuck out of the blurry pixelation and looked like a Mosrite Fuzzrite but with the logo "Nomad" blazoned across the front...

Fast forward 13 years, and I now own both of the pedals from that photo. And while the bakelite Fresh Fuzz is definitely one of my grail finds, the more interesting one is actually the Nomad Super Fuzz.

What is this thing? Where did it come from? WHO is Nomad???

So let's get into what we do know just by holding one of these in my hands.

After opening it up I was met with probably the biggest surprise; that it's a germanium Fuzzrite! Either from late 1966 or early 1967. It shares the exact same guts as my longtime germanium Mosrite Fuzzrite from the same era, and pretty much the same tone.

This was surprising because as of now I don't think any other OEM versions of a germanium Fuzzrite have ever surfaced. And even later silicon versions, like the Guild Foxey Lady and the ZB Custom fuzz aren't considered true OEMs.

Now I will admit, when I first saw this pedal I considered the possibility that the "Nomad" logo was added later on. And if you've ever seen a real germanium Fuzzrite there's a great chance that all of the labeling has worn off completely. So anyone could theoretically take a blank enclosure and add to it however they wanted.

But upon closer inspection the original knob, switch, and jack labeling are all still in tact and worn exactly the same way as the "Nomad" logo itself.

So this obscurity does seem to be very real! Which  leads back to the original question, Who was "Nomad" in the first place? and what was their relation to Mosrite?

There is a Nomad in the effects world, that in 1968 would debut their first effect, the Banshee Fuzz. These were made by Applied Audio out of New Jersey and distributed by LIMMCO Inc. They then followed this up with the Rogue Fuzz, also made by Applied Audio, which was the same as the Banshee with an extra gain stage.

But these effects aside and the handful of Nomad amplifiers I have been to find photos of, none of the logos match; and other than attending some tradeshows like NAMM and AMDIE the same years, the likelihood of LIMMCO having a random bi-coastal relationship with Mosrite is very slim.

So as of now, there are still a few mysteries left to be researched. 

The final cool little detail to mention about the Nomad Super Fuzz is that if it legitimately has a 1966/67 production date then it would predate the Univox Super Fuzz by at least a year, and was just a few months behind the Marshall Supa Fuzz. Which means that this is the very first pedal ever called "Super Fuzz", if we don't count the Marshall, that is. ;)

Alright, please let me know if you have any further info on Nomad, Fuzzrite OEMs, or this pedal specifically. As always you can message me via Email or Instagram. 

thanks for reading!

-ed